A card­board mock-up of the grassy knoll
And route mark­ers along a Dallas road
Is an odd toy for a child,
espe­cially in 1970s Australia.

Little wonder I gradu­ated to 10 Days that Shook the World and Huis Clos at 14.
Even less that Sey­mour Hirsh and Da Nang haunted my uni­ver­sity days.
How I wanted to be a flan­eur or drink absinthe in some bar with Rimbaud.
How I wanted to raise the pentagon with Albie and Allen.
How we devoured Orton’s diaries.

Notice they’re all men.
Does­n’t take long before it all adds up
and I want to be them, fuck them, write about them.

If polit­ics and power is where it’s at,
then let me at it.

Anyone still won­der­ing why we’re all obsessed
with Tilly Devine and Phryne Fisher and the Sydney Push,
so hungry for our own stor­ies of an Australia
that wasn’t all drovers and dirt,
that had a bit of swag­ger and class?