Well, at least I’m working on it. Some kind soul pointed out that Secret Life of Us has a new character who appears to be an Asian Lesbian. I have no idea of her name or a more specific ethnicity. I don’t watch the show regularly, but I saw one episode in which she was interacting with one of the blonde, anglo main characters who was a staff member of hers. If that’s who she ends up having sexual relations with, that could be interesting. Of course, now I’m condemned to watching hours of the show. Anyone have tapes? Or is it a call to Channel 10 publicity to see if they’re feeling kindly?
Watched Walking on Water. Hmm. Had high hopes as it was directed by Tony Ayres and stars Vince Colosimo as Charlie, one of the key gay characters. No explicit discussion of ethnicity or queer identity. No family to be seen, he doesn’t seem to be part of his ethnic ‘community’ at all. Anna, his flatmate is also supposed to be Greek, I think so at least he’s not completely surrounded by Anglos as the guy from The Wedding Banquet is. Also, I think there’s a black guy in the gay club they go to (have to check again) so the gay community isn’t portrayed as homogenous. Have to look again at ‘cultural markers’. Ayres talks about feeling like he has to perform whiteness in the queer community, that he’s a ‘banana’ (yellow on the outside, white on the inside). Have to examine this theme of fracturing I hadn’t explicitly explored before.
My other themes that I thought I’d be finding (based on the US materials I’ve encountered) were transitional identity as infectious/dangerous (white australian notions of the yellow peril… bisexuality as vector of HIV…), the idea of ‘coming home’ when coming out… and issues about closets/passing, visibility and invisibility… I’m finding these in the autobiographical material I’m reading by various theorists but less frequently in the ficitonal works I wanted to analyse. Does that mean I change my object of analysis or change my ideas? or both?
Or is it that I’m seeing a sharp change from the texts of the early to mid-nineties when identity politics was just emerging to a fictional rewriting of ‘problematic’ identity as integrated (and therefore harmless)? if so, that’s a pretty swift reterritorialising, but usable. It shows the acceptable bounds of behaviour in order to be a ‘proper’ Australian queer… hmmm… back to work then.