So, this morn­ing I slept until 11, had a bath, read *fic­tion*, meandered up the road, paid off the lay-by on my new book­shelf, did some vegie shop­ping, had brekky at Garths while read­ing *fic­tion*, came back home just as the book­shelf was being delivered, put the Beatles on full bore and star­ted clean­ing the flat. 

My mind is still peri­od­ic­ally going over sen­tences in the thesis… I’m hes­it­ant about having said the frame­work is cul­tural mater­i­al­ism, even though I can see that it kind of is. I just don’t par­tic­u­larly want to be a cul­tural mater­i­al­ist, I would have pre­ferred to do a more Deleuzian ana­lysis but it didn’t work out that way. While clean­ing up, I found some­thing I was search­ing and search­ing for three weeks ago, the clip­pings file of the art­icles and let­ters to the Jewish Times about the Stars of David Come Out Mardi Gras float, kindly sent to me by the editor Vic Alhadeff, which I had meant to include and ana­lyse, but I could­n’t find them and so they’re not in there and nor is a thanks to Vic.

It’s not a dis­aster, just annoy­ing. I can now do an ana­lysis of them as a paper coming out of the thesis for some con­fer­ence some time.

Yes­ter­day, it hadn’t really sunk in that the thesis was over until I went into a book­shop and star­ted brows­ing the paper­backs and sud­denly real­ised I was allowed to read fic­tion again. I was just suf­fused with this glow of joy and had to smile. I bought Pat­tern Recog­ni­tion by Gibson and am loving it already.

Then frou_frou and dr_zero and I went to see Troy which was every bit as laugh­able as I’d heard but gor­geous to look at. Oh boy, Orlando and Brad’s sheened naked torsos, cut off just above that chan­nel in the hip that leads down into untold delight, my favour­ite spot on a man. So sexy.